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Lab Gruppen Lake LMX 48 Audio System Processor

S$ 5,599.00
(S$ 5,599.00 excl GST)
Special order! Expected availability: 5+ weeks Not refundable/exchangeable
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System Control in High-Performance Applications

Key Features:
  • High-performance Lake digital audio system processor for unparalleled loudspeaker management and system control
  • Full system control via Lake Controller touch-screenoptimized software application
  • 2 x RJ45 ports provide 2 x AES50 individual interfaces
  • High-quality A/D and D/A 24-bit conversion and 96 kHz internal sampling frequency
  • Powerful and Fully Featured Standalone Digital Audio System Processing with Peerless Credentials

    The LMX 48 provides an 4 x 8 analog I/O, 4 × 8 AES3 digital I/O, 8 × 8 Dante networked I/O and two interfaces of AES50 where up to 24 channels from the up to 96 AES50 channels can be selected and used as inputs or outputs – this makes the signal routing very flexible. The 16 input routers have four fully programmable priorities for redundant input operation and provide seamless failover between the inputs.

    Going LMX at FOH with Seamless Console Switch Through Scenes

    The LMX 48 is a versatile centerpiece that allows you to easily manage the signal flow. It can receive signals from multiple consoles and allows for easy switching or mixing of those signals for distribution to your sound system. With the introduction of Scenes, you can pre-program any combination of signal flow and easily recall them using the front panel or the Lake Controller Software. Additionally, you can configure the GPI on the rear panel to activate a Scene using a custom switch for seamless console switching.

    Signal Flexibility

    LMX 48 provides the ultimate combination of input/output signal flexibility and fail-safe operation. Audio inputs are accepted via the Dante network and AES50 as well as on connectors for AES3 digital and analog.Simple programming in Lake Controller allows multiple, user-configured “Scene” presets to be stored (input scenarios). In addition, as with all Lake Dual Redundant products Dante Audio switch seamless between Primary and Secondary, and Control can also be used on either Primary or Secondary interface.LMX 48 provides a total of sixteen input routers which can be independently configured with up to four input fail-over priority settings. And the output of any of these input routers can go to any of the Modules via the Module Input Mixer, also be patched directly to any analog, AES3, Dante/AES67 or AES50 output – without using any of the valuable Module processing channels.

  • Front-Panel User Interface
    Display Daylight readable full color IPS
    (320 x 210)
    Fault/Warning detailed description
    on display
    Menu Intiutive interface with ability to recall
    Scene- and Frame Preset, Frame Config,
    see IP address, Mains status
    Meters and Mute buttons 16x LED meters and clip indicators, with
    individual mute of inputs or outputs
    with dedicated buttons
    Lake featues
    Module configuration 8x MESA, 4x Contour or
    2x Contour/4x MESA modules
    Processing channels 12x in Contour, 8x in MESA,
    10x in Contour/MESA
    Block program Mesa, XP, Linear phase,
    Classic crossovers and Auxililary
    Input routers 16 input routers with 4 priorities
    in each, seamless fallback to
    lower prioritizes
    Module Input mixer 16 ch. for Contour-, 16 ch. for MESAmodules. Mix any ratio between all
    input routers.
    Link ability Yes, via 24 channels of AES50
    Input Processing Parameteric EQ with MESA and Ideal
    Graphic equalizers, both utilizing Raised
    Cosine algorithms
    Output Processing Crossovers with up to 48dB/oct.
    Parametric EQ, shelving and allpass
    filters, FIR
    Features Delay, Mute, Phase, Gain etc.
    Limiters LimiterMax with Peak and RMS limiter
    SuperModule compatible No
    Audio Performance
    Conversion Resolution 24-bit
    Internal Sample Rate 96 kHz
    Internal Floating Path 32-bit floating point
    Product Propagation Delay Best case (AES syncronous 96 kHz to AES
    syncronous 96 kHz via DSP) 0.872 ms
    Analog (Analog in to Analog out
    via DSP) 1.036 ms
    Pass thru (Analog in to AES syncronous
    96 kHz bypassing DSP 0.143 ms
    Maximum Available User Delay 2 seconds from any input to any output

    Analog

    Inputs 4x inputs with Iso-Float™ ground
    isolation configurable (connectors
    shared with AES3 inputs)
    Outputs 8x outputs (connectors shared
    with AES3 Outputs)
    Frequency Response, +/-0.05 dB, 20 Hz to 20 kHz
    analog-to-digital
    Frequency Response, +/-0.2 dB, 20 Hz to 20 kHz
    digital-to-analog
    THD+Noise, Inputs 0.0015% typical at 1 kHz
    THD+Noise, Outputs 0.0008% typical at 1 kHz
    Dynamic Range, Inputs 126 dB
    Dynamic Range, Outputs 116 dB
    Input Impedance 20 kOhm balanced,
    10 kOhm unbalanced
    Output Impedance 50 Ohm
    Maximum Input level +26 dBu
    Input Sensitivity Settings for +21 dBu
    Digital Full-Scale
    Maximum Output level +21 dBu
    Crosstalk, inputs -108 dB, 20 Hz to 20 kHz
    Crosstalk, outputs -98 dB, 20 Hz to 20 kHz
    Common Mode >70 dB, 20 Hz to 20 kHz
    Rejection Ratio (CMRR)
    AES3/EBU with Sample Rate Converts available
    Inputs and Outputs 4x inputs, 8x outputs
    (shared with Analog)
    ASRC Yes, high quality low latency available
    per digital input
    Supporting Sample Rates 44.1 kHz, 48 kHz, 88.1 kHz, 96 kHz,
    176.4 kHz, 192 kHz
    (I/O individually selected)
    Supported Resolutions Up to 24-bit
    THD+Noise (limits) -135 dB at 96kHz and -125 dB at
    44.1 kHz sample rate
    THD+Noise (typical) -145 dB at 96kHz and -138 dB at
    44.1 kHz sample rate
    Dynamic Range Base48 -144 dBFS, Base44 -142 dBFS

    Dimensions

    Dimensions
    48.3 x 4.0.5 x 4.4cm
    Weight 5.1 kg

For export (= shipments outside of Singapore) we do not charge GST. In this case, please refer to the prices excl GST.

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